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This paper examines some of the ways in which the electress Anna of
Saxony (1532-1585) acted as a patron of the Saxon church and its clergy as
well as the potential impact of the consort’s patronage on the confessional
developments of electoral Saxony. Departing from the content of the electress’s
correspondence, the analysis brings attention to the fact that early
modern women also – and perhaps particularly – bestowed personal patronage
that resulted in less visible and less tangible products than the art
and architectural works that tend to dominate the study of female patronage.
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